Bach Bibliography Search Result - Ordered Chronologically

Author : Morrow, Mary Sue
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Morrow, Mary Sue:   German music criticism in the late eighteenth century. Aesthetic issues in instrumental music. Cambridge: Cambridge University Press, 1997. xiii, 253p. ISBN: 0 521 58227 X.
	2.	Morrow, Mary Sue:   The clavichord resounds, or the wider influence of C. P. E. Bach's 'empfindsamer' keyboard style. DeClavicordio 4 (2000), 87-94.
	3.	Morrow, Mary Sue:   Grundlegende Aspekte der deutschen Musikkritik um 1800. LeipzigMStadt 2bis (2007), 82-90.
	4.	Morrow, Mary Sue:   Reclaiming the eighteenth-century symphony. [ce]18cSymphony (2012), 3-17.
	5.	Morrow, Mary Sue:   Historiography of the eighteenth-century symphony. [ce]18cSymphony (2012), 18-39.
	6.	Morrow, Mary Sue:   Eighteenth-century viewpoints. [ce]18cSymphony (2012), 40-74.
	7.	Morrow, Mary Sue:   Patrons and practices. [ce]18cSymphony (2012), 75-99.
	8.	Morrow, Mary Sue:   Carl Philipp Emanuel Bach. [ce]18cSymphony (2012), 280-298.
	9.	Brown, A. Peter; Morrow, Mary Sue; Churgin, Bathia (eds.):   The eighteenth-century symphony. Bloomington, IN: Indiana University Press, 2012. xvii, 897p. ISBN: 0-253-35640-7; 978-0-253-35640-6. (= The symphonic repertoire; No. 1) [contents]
	10.	Morrow, Mary Sue (ed.):   Music in eighteenth-century culture. [Sixth Biennial Conference of the Society for Eighteenth-Century Music and the Haydn Society of North America (2014) : Bethlehem, PA] - Ann Arbor, MI, United States: Steglein Publishing, 2016. xiii, 206p. ISBN: 978-0-9982213-1-1; 0-9982213-1-7. [contents]